‘Credit History’ Off-site Show as part of the ‘Dirty Laundry’ by PLAGUE, Krasnodar
Title: Credit History
Date: 29.10.2022
Artists: Arthur Golyakov, Vanya Venmer, Javier Trivino Murillo,
Christian Roncea, Ekaterina Serikova, Christophe De Rohan Chabo, Leyli Aslanova,
Nikolay Georgiev, PLAGUE
Curator: PLAGUE
Text: Arthur Golyakov
Venue: Krasnodar, Russia
PLAGUE, ‘Plague Against Art’, 2022, cotton, black reinforced tape, dimensions vary
Exhibition view
Exhibition view
Javier Triviño Murillo, ‘I will just dedicate myself to commercial art’ 2022, digital printing, ground, adhesive tape, 40×50,85cm
Javier Triviño Murillo, ‘I will just dedicate myself to commercial art’ 2022, digital printing, ground, adhesive tape, 40×50,85cm
Arthur Golyakov, ‘Untitled (W&Box)’, 2022, extruded polystyrene foam (XPS), cardboard, acrylic, spray paint, masking tape, reinforced tape, dimensions vary
Arthur Golyakov, ‘Untitled (W&Box)’, 2022, extruded polystyrene foam (XPS), cardboard, acrylic, spray paint, masking tape, reinforced tape, dimensions vary
Exhibition view
Nikolay Georgiev, ‘Untitled’, 2022, print on banner, 140 x 200 cm
Exhibition view
Ekaterina Serikova, ‘Laughing in front of the waterfall’, 2022, pencil, paper, mixed media (dimensions without frame)
Christophe De Rohan Chabot, ‘Untitled (CUM – black/red)’, 2022, uv print on aluminum, mat, matt aluminum frame, 30 x 30 x 4,5 cm
Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm
Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm
Vanya Venmer, ‘Investor (Every evening I died and every morning I was born again. Resurrected)’, 2022, film, plumbum, glue, 90 x 90 x 25 cm
Exhibition view
Leyli Aslanova, ‘Frustrated boys’, 2022, paper, pencils, markers, acrylic, oil pastel, scratching, 21,5 x 32 cm
Text:
The end of the story didn’t happen?
The 20th century is not over yet
No age is over yet
The story still lasts
Maybe the French Revolution is going on?
Maybe all the revolutions are going on?
Layer by layer, the frames are superimposed on one another,
everything is mixed up.
In what layer was our presence?
Children of what events are we?
The 20th century still haunts us
All ages haunt us
Please see more on Credit History — PLAGUE