“Changes can come from one or multiple points in the process. Differences in output from camera to development to scan to computer screen to printer to wall. This transference of information offers errors—or identifiable differences in the reproduction. In the marginalia, I am thinking of surgery, pulling a body apart, explosions, scattering of bodies, identities, information. Maybe that machines and systems, though not human, are a way of regathering and reconfiguring the image-info shrapnel.” - B. Ingrid Olson.

Red Flags is the final exhibition in a three-year series of PLAGUE projects focused on exploring the relationship between art, design, and society. Each time, the curators draw on recognizable visual images or cultural phenomena associated with their production and circulation: design, fashion, pop art, etc.

‘In drawing, in remembrance’ follows communities in coastal Pakistan who employ various drawing practices to confront displacement and infrastructural violence.