Watching for exhibitions and happenings outside of the main stage.
MIDLIFE CRISIS by Maksim Subota at 101 Dump, Almaty
The exhibition exploring the readymade in a state of exhaustion, where self-irony becomes a tool for critical reflection on both the artistic method and the current cultural context.
SUBSUNS by Geistė Marija Kinčinaitytė & Lidija Kononenko at Atletika Gallery, Vilnius
“[…] more light is deflected in all directions creating hazes of copper and brown over the horizon as the fragments build up into a smog eventually what is left of the rays is not much at all allowing the eyes to look directly at the sun […].” (Excerpt from phantom currents by Lidija Kononenko)
Swamping the guise by Ksenia Markelova and Svetlana Spirina at Metenkov’s House, Yekaterinburg
“…patterns are figuratively reminiscent of camouflage, but the camouflage system here is of a different kind — social, political and personal”.
Protoplast at Kaiserwache, Freiburg
Untitled solo exhibition by Protoplast, a Swiss art collective established in 1990.
PLEASED TO ANNOUNCE… BY CEM A. at Versus Art Project, Istanbul
Cem A. invites the visitor to question the nature of the language utilised by art organisations to describe exhibitions and artworks to the public in supposedly inclusive, informative and accessible ways.
CULTURE WILL SURVIVE, TRUST ME HUN, SAYS AN ANGEL OF ELECTRICITY AND TICKLES MY NECK. I LAUGH INVOLUNTARILY AND WAKE UP by Hanna Zubkova at Ecole de Beaux arts de Paris, Cour Vitré
Part of the False Sun research project, the installation sees culture as a hybrid object of transformation of myths, ideologies, disappointed hopes and out-of-context copies bearing the only memory inscribed on their skin.
Nature pointue by Elisabeth Perrault at Pangée, Montreal
In her dream, her stomach turns into a ceramic flower stem. The growing plant’s pieces are falling apart. Lying in her bed, she tries to stitch the fragments of her belly back together, like she does in the studio while building her giant flowers.
- Jézabel Plamondon
This is my rock band – Moonlight Misha Gudwin @ Edicola Radetzky, Milan
In his project “This is my rock band – Moonlight” Misha Goodwin will present an installation inspired by animatronics. It consists of is a duo of mechanical dolls inspired by the rock band “The Rock-afire Explosion”, which was performing around the 1980s and whose stage image also consisted of mechanical animal figures. In the modern culture, animatronics often become characters in Internet folklore – they are used to create creepypasta and Internet horror.
I Was Seven The Day I Came Back Home Completely Soaked by Gilbert Hage at Galerie Tanit, Beirut
Water sets rhythm, adhesion, resistance, and surface tension. Skin becomes membrane.
- Ghada Waked
REST by Sepideh Zamani at Parallel Circuit Gallery, Tehran
The main subject in these works is not the work itself but how the work could be described.
SPORES. Mushroom picking with a therapist by Pakui Hardware at NOA 9th Contemporary Opera Festival, Vilnius
The protagonist of the piece is one of many people in the modern world who tries to express her anxiety to a therapist amid a flood of information and emotional stimuli.
NIRVANA by Kris Lemsalu at Temnikova & Kasela, Tallinn
Dream Baby Dream by Rebekka Benzenberg at Galerie Anton Janizewski, Berlin
Exhaustion as an expression of resistance, depression as a silent but fundamental indictment of a sick system: in Dream Baby Dream, Rebekka Benzenberg draws attention to questions that only on a surface level appear personal and intimate. With a pointed compilation of sculptures, sound, and painting, the artist circles around the motif of the bed – a tempting retreat and hated sickbed at the same time – which she locates politically and illuminates critically. In doing so, the image of women in late capitalism as well as the overwhelming flood of therapy offers are being scrutinized.
– Malte Lin-Kröger
Republic of Cynic by Yao Jui‑Chung at Taiwan Contemporary Culture Lab, Taipei
Yao Jui Chung created this “state within a state” by applying the concept of parasitism, viz., the Republic of Cynic (parasite) lives in the Republic of China (host).
ANT/BUG by Rémi Lécussan in Glassbox Nord, Montpellier
Emotionally sensitive
Turned off the wifi at night,
A bird feather
In the shell of the phone
ECHO by Klára Hosnedlová in White Cube Bermondsey
Within the capacious, post-industrial chambers of White Cube’s Bermondsey site, sprawling manmade structures appear abandoned to, or overtaken by, massive growths that are organic in kind.
MODERN LOVE (or Love in the Age of Cold Intimacies) in The National Museum of Contemporary Art Athens (EMST)
Explores the state of love and human bonds in the age of the Internet, social media, and high capitalism, probing how the digital sphere, the impact of technology giants, and neo-liberal practices have transformed love, social relations, and the way we interact with one another.
Telling The Bees by Kyriaki Goni at The Breeder Gallery, Athens
“Drawing equally from science fiction aesthetics and rural ingenuity, the Beeseeker’s attire evokes both survival gear and ceremonial costume”.
‘Credit History’ Off-site Show as part of the ‘Dirty Laundry’ by PLAGUE, Krasnodar
“The 20th century still haunts us
All ages haunt us”
- Arthur Golyakov
Spit Bite by Anastasia Sosunova at Kim? Contemporary Art Centre, Riga
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