Spill by AnnLi Tico, Bill Wangyi, Kai (Zhikang Cai), Moses Tan, Rikuto Fujimoto, Yeeun Kim, and Zhongshi Li at SEAGER Gallery, London

SEAGER Gallery

7 – 13 July 2026

Curated by Meimei Zhu

Supported by Fusilli Pot

Photo by Sergei Novikov

The exhibition examines how visual politics continue to shape what societies are able to recognise, and how hierarchies of visibility are unconsciously absorbed even by those who seek to dismantle them.

Across seven distinct but converging practices, the artists approach this condition from different angles. Bill Wangyi's sculptures hold materials in states of perpetual near-release, staging the collapse between body and medium. Moses Tan's allegorical installations let biological and spatial logics infiltrate one another. Yeeun Kim's video works occupy the threshold where narration breaks down. AnnLi Tico's suspended sculpture in mild steel and handmade chain materialises the irreversible rewriting of place by climate and political force. Zhongshi Li's image-based practice constructs intertextual relationships in which authoritative readings destabilise and meaning begins to leak. Rikuto Fujimoto's sound installation circulates bird calls between three nests, holding memory not as fixed possession but as vibration, arriving, vanishing, and surfacing elsewhere. Kai (Zhikang Cai) places natural and industrial materials inside standardised structures, exposing the fragility that becomes legible only when a system starts to fail.

Please see more here: https://www.seagergallery.com/spill